{"id":4207,"date":"2020-11-09T03:00:50","date_gmt":"2020-11-09T02:00:50","guid":{"rendered":"https:\/\/2023.janacek-brno.cz\/9-11-2022-kata-kabanova\/"},"modified":"2022-11-09T15:06:10","modified_gmt":"2022-11-09T14:06:10","slug":"9-11-2022-kata-kabanova","status":"publish","type":"post","link":"https:\/\/2023.janacek-brno.cz\/en\/9-11-2022-kata-kabanova\/","title":{"rendered":"<strong>9.&nbsp;11.&nbsp;2022<\/strong> (+ lecturer&#8217;s&nbsp;introduction)<br>Leo\u0161 Jan\u00e1\u010dek \u2013 Katya Kabanova"},"content":{"rendered":"<p>[vc_row gap=&#8221;35&#8243; type=&#8221;vc_default&#8221;][vc_column width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;3793&#8243; img_size=&#8221;full&#8221; onclick=&#8221;zoom&#8221; css_animation=&#8221;zoomIn&#8221;][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<h2>9.&nbsp;11.&nbsp;2022, 7 p.m.<\/h2>\n<div id=\"gtx-trans\" style=\"position: absolute; left: -25px; top: 63.4219px;\">\n<div class=\"gtx-trans-icon\"><\/div>\n<\/div>\n<p>[\/vc_column_text][vc_column_text]<strong>Jan\u00e1\u010dek Theatre, National theatre Brno (NdB)<\/strong><\/p>\n<p><b>Author: <\/b><span style=\"font-weight: 400;\">Leo\u0161 Jan\u00e1\u010dek<\/span><\/p>\n<p><b>Conductor: <\/b><span style=\"font-weight: 400;\">Jaroslav Kyzlink<\/span><\/p>\n<p><b>Director: <\/b><span style=\"font-weight: 400;\">Calixto Bieito<\/span><\/p>\n<p><b>Ensemble: <\/b><span style=\"font-weight: 400;\">National Theatre Opera and State Opera<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The National Theatre Chorus and Orchestra<\/span><\/p>\n<p>The performance lasts 100 minutes and there is no intermission.<\/p>\n<p><strong>Lecturer&#8217;s&nbsp;introduction:<\/strong> 18:15, foyer of Jan\u00e1\u010dek Theatre[\/vc_column_text]<style type=\"text\/css\" data-type=\"the7_shortcodes-inline-css\">#default-btn-4e66c36254a369b49b37a8d109a12c4c.ico-right-side > i {\n  margin-right: 0px;\n  margin-left: 8px;\n}\n#default-btn-4e66c36254a369b49b37a8d109a12c4c > i {\n  margin-right: 8px;\n}\n<\/style><a href=\"https:\/\/online.colosseum.eu\/incoming.aspx?mrsid=103&amp;language=en-GB&amp;redirectaddtickets=http:\/\/ndbrno.cz\/program&amp;&amp;eventid=1132054\" class=\"default-btn-shortcode dt-btn dt-btn-l link-hover-off btn-inline-left \" target=\"_blank\" id=\"default-btn-4e66c36254a369b49b37a8d109a12c4c\" rel=\"noopener\"><span>Buy tickets<\/span><\/a>[\/vc_column][\/vc_row][vc_row type=&#8221;vc_default&#8221;][vc_column][vc_tta_accordion style=&#8221;flat&#8221; shape=&#8221;square&#8221; color=&#8221;white&#8221; spacing=&#8221;5&#8243; c_icon=&#8221;chevron&#8221; active_section=&#8221;99&#8243; no_fill=&#8221;true&#8221; collapsible_all=&#8221;true&#8221;][vc_tta_section title=&#8221;SYNOPSIS&#8221; tab_id=&#8221;1628856711380-aff6afaa-dae3&#8243;][vc_column_text]<strong>Act 1<\/strong><br \/>\nThe young teacher Kudrjas is admiring the view of the countryside and the River Volga. The peaceful afternoon is disturbed by the entrance of the angry merchant Dikoj and his nephew Boris. Kudrjas wonders why Boris still puts up with his uncle\u2019s overbearing nature, and Boris admits that he is unhappy in Kalinovo, but has no other options. If he wants to collect his inheritance from his grandmother for himself and his sister he must, according to the will, live with his uncle and suffer all his wrongs until they are both of age. His unhappiness is further increased by his unrequited love for a married woman \u2013 Katya Kabanova. Katya is unhappy in her marriage, though, for she had grown up in a family that had surrounded her with love, but now she had a weak and alcoholic husband and a despotic mother-in-law, who mercilessly ruled over the family and detested Katya for she was jealous of Tichon\u2019s love for her. She orders her son to go that day to the market in Kazan and reproaches him for his lack of love and respect towards her.<\/p>\n<p>It is early evening in the Kaban household. Katya and Varvara are sewing and Katya is reminiscing upon her happy childhood days. She admits that she has secretly fallen in love, and the easy-going Varvara offers to be her intermediary. Tichon arrives to bid farewell to his wife before his journey. Katya begs him to swear to speak to no strangers or else to take her along. Tichon does not understand and refuses. Kabanicha watches over their farewells and on her orders Tichon humiliates Katya with an undignified reprimand.<\/p>\n<p><strong>Act 2<\/strong><br \/>\nKabanicha reproaches Katya for not making a sufficient display of grief over Tichon\u2019s absence. Varvara brings the key for the garden gate which she had taken from Kabanicha so that she could visit Kudrjas. Katya hesitates, but takes the key. The drunken Dikoj goes to Kabanicha and implores her for her favour. At the back of the Kaban family garden Varvara meets Kudrjas, and at Varvara\u2019s behest Boris comes also. Katya attempts to overcome her desire for Boris, but she finally falls into his arms.<\/p>\n<p><strong>Act 3<\/strong><br \/>\nA severe storm is brewing over the little town. The townspeople seek shelter in the semi-derelict, burned-out monastery. Kudrjas uses the opportunity to conciliate Dikoj by talking to him about a new invention, the lightning conductor, and his idea to introduce them to the town. However, for Dikoj the storm is a sign of the anger of God and dismisses Kudrjas with a curse. Varvara searches for Boris. She finds him and tells him that Tichon has returned home and that Katya was very upset. The Kabans also shelter in the ruined building and Katya, frightened by the storm, confesses in front of everyone that he had been unfaithful with Boris. Kabanicha is triumphant. Tichon wants to forgive Katya, but she flees into the tempest.<\/p>\n<p>Glasha and Tichon search in vain for Katya. Varvara is also determined to leave the family home and agrees with Kudrjas to elope to Moscow. Katya goes to the banks of the Volga having made up her mind that the only freedom from her unbearable life is death, but wishes to say farewell to Boris. He arrives with the news that his uncle has sent him to run his business in Siberia, and after his departure Katya throws herself into the depths of the Volga.[\/vc_column_text][vc_column_text][\/vc_column_text][\/vc_tta_section][vc_tta_section title=&#8221;CAST&#8221; tab_id=&#8221;1628856711399-6976ddf1-e8dd&#8221;][vc_column_text]<strong>Production team:<\/strong><\/p>\n<p><strong>Conductor:<\/strong> Jaroslav Kyzlink<\/p>\n<p><b>Director: <\/b><span style=\"font-weight: 400;\">Calixto Bieito<\/span><\/p>\n<p><b>Stage design: <\/b><span style=\"font-weight: 400;\">A\u00edda Leonor Guardia<\/span><\/p>\n<p><b>Lighting design: <\/b><span style=\"font-weight: 400;\">Michal Bauer<\/span><\/p>\n<p><b>Costumes: <\/b><span style=\"font-weight: 400;\">Eva Butzkies<\/span><\/p>\n<p><b>Choirmaster: <\/b><span style=\"font-weight: 400;\">Jan Bub\u00e1k<\/span><\/p>\n<p><b>Dramaturgy: <\/b><span style=\"font-weight: 400;\">Beno Blachut jr.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Cast:<\/strong><\/p>\n<p><strong>Katya Kabanova:<\/strong> Al\u017eb\u011bta Pol\u00e1\u010dkov\u00e1<\/p>\n<p><b>Boris Grigorievich: <\/b>Magnus Vigilius<\/p>\n<p><strong>Dikoy:<\/strong> Ji\u0159\u00ed Sul\u017eenko<\/p>\n<p><strong>Kabanicha: <\/strong>Eva Urbanov\u00e1<\/p>\n<p><strong>Tichon:<\/strong> Jaroslav B\u0159ezina<\/p>\n<p><strong>Varvara:<\/strong> Alena Krop\u00e1\u010dkov\u00e1<\/p>\n<p><strong>Kudryash:<\/strong> Martin \u0160rejma<\/p>\n<p><strong>Kuligin:<\/strong> Ji\u0159\u00ed H\u00e1jek<\/p>\n<p><strong>Glasha:<\/strong> Kate\u0159ina Jalovcov\u00e1<\/p>\n<p><strong>Feklusha:<\/strong> Jana Hor\u00e1kov\u00e1 Levicov\u00e1[\/vc_column_text][\/vc_tta_section][\/vc_tta_accordion][vc_column_text]<span style=\"font-weight: 400;\">The work of the Spanish director Calixto Bieito never fails to make an impression on an audience. His opponents are as numerous as his fans, but no matter how his productions are received, his interpretation always offers an interesting perspective from often unexpected angles. He has two Jan\u00e1\u010dek opera productions under his belt so far \u2013 <\/span><i><span style=\"font-weight: 400;\">Jen\u016ffa<\/span><\/i><span style=\"font-weight: 400;\">, and Jan\u00e1\u010dek\u00b4s last opera<\/span><i><span style=\"font-weight: 400;\"> From the House of the Dead<\/span><\/i><span style=\"font-weight: 400;\">,<\/span> <span style=\"font-weight: 400;\">which was presented at the 2016 festival by the Nuremberg opera ensemble. This time, Calixto Bieito and the opera ensemble of Prague National Theatre will offer festival visitors his distinctive view on one of Jan\u00e1\u010dek\u00b4s most intimate operas \u2013 <\/span><i><span style=\"font-weight: 400;\">Katya Kabanova<\/span><\/i><span style=\"font-weight: 400;\">.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">There was nothing traditional in Jan\u00e1\u010dek\u00b4s creative life, so it is not surprising that he began to consider the idea of creating the first of his four top operas at the mature age of almost sixty-five. The circumstances were more than favourable. Thanks to the Prague and Viennese productions of <\/span><i><span style=\"font-weight: 400;\">Jen\u016ffa<\/span><\/i><span style=\"font-weight: 400;\">, he had finally received the recognition he truly deserved not only at home, but also on the international scene. And a new woman had entered his life \u2013 during his summer stay in Luha\u010dovice in 1917 he met Kamila St\u00f6sslov\u00e1, a beautiful lady who became a source of unceasing inspiration to him until his death. The search for a theme for a new opera now led him to Russian literature, and it is not surprising that he was fascinated by the story of Katya Kabanova, the heroine of the play <\/span><i><span style=\"font-weight: 400;\">The Storm<\/span><\/i><span style=\"font-weight: 400;\"> by Alexander Nikolayevich Ostrovsky. He thus returned to the portrayal of great female characters and their tragic life stories, which he had achieved so masterfully in his previous works <\/span><i><span style=\"font-weight: 400;\">Jen\u016ffa<\/span><\/i><span style=\"font-weight: 400;\"> and <\/span><i><span style=\"font-weight: 400;\">Destiny<\/span><\/i><span style=\"font-weight: 400;\">.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">After his negative experience with librettists when creating <\/span><i><span style=\"font-weight: 400;\">The Excursions of Mr. Brou\u010dek<\/span><\/i><span style=\"font-weight: 400;\">, he decided to prepare the libretto from the Czech translation of the play himself, a strategy which had proved to bring success in the case of <\/span><i><span style=\"font-weight: 400;\">Jen\u016ffa<\/span><\/i><span style=\"font-weight: 400;\">. He significantly shortened the extensive play, which largely deals with politics and the moral decline of Russian society in the middle of the 19<\/span><span style=\"font-weight: 400;\">th<\/span><span style=\"font-weight: 400;\"> century, and he also reduced the number of characters. The focal point was Katya, who deals with her unhappy marriage by fleeing into the world of fantasy, and who is driven to a tragic end by hypocrisy and social pressure. This approach enabled Jan\u00e1\u010dek to create a very intimate drama built on the contrast of two worlds \u2013 the dream world of Katya, and the rough and hard world of Kabanicha and the weak Tichon, in which there are only occasional flashes of unstoppable optimism and merriment from the young Varvara.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">After his Prague troubles with the performance of <\/span><i><span style=\"font-weight: 400;\">The Excursions of Mr. Brou\u010dek<\/span><\/i><span style=\"font-weight: 400;\">, Jan\u00e1\u010dek decided to offer the premiere of <\/span><i><span style=\"font-weight: 400;\">Katya Kabanova<\/span><\/i><span style=\"font-weight: 400;\"> to National Theatre Brno. The opera was performed here for the first time on 23<\/span><span style=\"font-weight: 400;\">rd<\/span><span style=\"font-weight: 400;\"> November 1921 at the theatre Na hradb\u00e1ch (today\u00b4s Mahen Theatre), and it was an extraordinary success. Performances followed in Prague and abroad a year later. He returned to his opera a few years afterwards for very practical reasons \u2013 in order to connect the individual scenes in Act 1 and Act 2 smoothly, music was needed for the changes. This was heard for the first time during a performance in 1928. 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.owl-nav a:hover:after {\n  border-width: 0px;\n}\n.blog-carousel-shortcode.blog-carousel-shortcode-id-c15428141a91f04b428fb6db9341123c .owl-nav a.owl-prev {\n  top: 50%;\n  transform: translateY(calc(-50% + 0px));\n  left: -43px;\n}\n@media all and (-ms-high-contrast: none) {\n  .blog-carousel-shortcode.blog-carousel-shortcode-id-c15428141a91f04b428fb6db9341123c .owl-nav a.owl-prev {\n    transform: translateY(-50%);\n    margin-top: 0px;\n  }\n}\n.blog-carousel-shortcode.blog-carousel-shortcode-id-c15428141a91f04b428fb6db9341123c .owl-nav a.owl-prev i {\n  padding: 0px 0px 0px 0px;\n}\n.blog-carousel-shortcode.blog-carousel-shortcode-id-c15428141a91f04b428fb6db9341123c .owl-nav a.owl-next {\n  top: 50%;\n  transform: translateY(calc(-50% + 0px));\n  right: -43px;\n}\n@media all and (-ms-high-contrast: none) {\n  .blog-carousel-shortcode.blog-carousel-shortcode-id-c15428141a91f04b428fb6db9341123c .owl-nav a.owl-next {\n    transform: translateY(-50%);\n    margin-top: 0px;\n  }\n}\n.blog-carousel-shortcode.blog-carousel-shortcode-id-c15428141a91f04b428fb6db9341123c .owl-nav a.owl-next i {\n  padding: 0px 0px 0px 0px;\n}\n.blog-carousel-shortcode.blog-carousel-shortcode-id-c15428141a91f04b428fb6db9341123c .owl-nav i {\n  font-size: 18px;\n}\n.blog-carousel-shortcode.blog-carousel-shortcode-id-c15428141a91f04b428fb6db9341123c .owl-nav a:not(:hover) i,\n.blog-carousel-shortcode.blog-carousel-shortcode-id-c15428141a91f04b428fb6db9341123c .owl-nav a:not(:hover) i:before {\n  color: #ffffff;\n  background: none;\n}\n.blog-carousel-shortcode.blog-carousel-shortcode-id-c15428141a91f04b428fb6db9341123c .owl-nav a:hover i,\n.blog-carousel-shortcode.blog-carousel-shortcode-id-c15428141a91f04b428fb6db9341123c .owl-nav a:hover i:before {\n  color: rgba(255,255,255,0.75);\n  background: none;\n}\n.blog-carousel-shortcode.blog-carousel-shortcode-id-c15428141a91f04b428fb6db9341123c .owl-dots {\n  top: calc(100% + 20px);\n  left: 50%;\n  transform: translateX(calc(-50% + 0px));\n}\n@media all and (-ms-high-contrast: none) {\n  .blog-carousel-shortcode.blog-carousel-shortcode-id-c15428141a91f04b428fb6db9341123c .owl-dots {\n    transform: translateX(-50%);\n    margin-left: 0px;\n  }\n}\n.blog-carousel-shortcode.blog-carousel-shortcode-id-c15428141a91f04b428fb6db9341123c .owl-dot {\n  width: 10px;\n  height: 10px;\n  margin: 0 8px;\n}\n@media screen and (max-width: 778px) {\n  .blog-carousel-shortcode.blog-carousel-shortcode-id-c15428141a91f04b428fb6db9341123c.hide-arrows .owl-nav a {\n    display: none;\n  }\n}\n@media screen and (max-width: 778px) {\n  .blog-carousel-shortcode.blog-carousel-shortcode-id-c15428141a91f04b428fb6db9341123c.reposition-arrows .owl-nav .owl-prev {\n    top: 50%;\n    transform: translateY(calc(-50% + 0px));\n    left: 10px;\n  }\n  .blog-carousel-shortcode.blog-carousel-shortcode-id-c15428141a91f04b428fb6db9341123c.reposition-arrows .owl-nav .owl-next {\n    top: 50%;\n    transform: translateY(calc(-50% + 0px));\n    right: 10px;\n  }\n}\n@media screen and (max-width: 778px) and all and (-ms-high-contrast: none) {\n  .blog-carousel-shortcode.blog-carousel-shortcode-id-c15428141a91f04b428fb6db9341123c.reposition-arrows .owl-nav .owl-prev {\n    transform: translateY(-50%);\n    margin-top: 0px;\n  }\n}\n@media screen and (max-width: 778px) and all and (-ms-high-contrast: none) {\n  .blog-carousel-shortcode.blog-carousel-shortcode-id-c15428141a91f04b428fb6db9341123c.reposition-arrows .owl-nav .owl-next {\n    transform: translateY(-50%);\n    margin-top: 0px;\n  }\n}\n<\/style><div class=\"owl-carousel blog-carousel-shortcode dt-owl-carousel-call blog-carousel-shortcode-id-c15428141a91f04b428fb6db9341123c classic-layout-list scale-img dt-icon-bg-off dt-arrow-border-on dt-arrow-hover-border-on meta-info-off bullets-small-dot-stroke reposition-arrows arrows-bg-on disable-arrows-hover-bg arrows-hover-bg-on  \" data-scroll-mode=\"1\" data-col-num=\"3\" data-wide-col-num=\"4\" data-laptop-col=\"3\" data-h-tablet-columns-num=\"3\" data-v-tablet-columns-num=\"2\" data-phone-columns-num=\"1\" data-auto-height=\"false\" data-col-gap=\"30\" data-stage-padding=\"0\" data-speed=\"600\" data-autoplay=\"false\" data-autoplay_speed=\"6000\" data-arrows=\"true\" data-bullet=\"false\" data-next-icon=\"icon-ar-017-r\" data-prev-icon=\"icon-ar-017-l\"><article class=\"post post-4243 type-post status-publish format-standard has-post-thumbnail hentry category-bude-en category-opera category-vyber-en category-91 category-57 category-64 description-off\" data-name=\"&lt;strong&gt;26.&nbsp;11.&nbsp;2022&lt;\/strong&gt;&lt;br&gt; Leo\u0161 Jan\u00e1\u010dek &#8211; Glagolitic Mass \/ From the House of the Dead\" data-date=\"2020-11-26T17:22:10+01:00\">\n\n<div class=\"post-thumbnail-wrap\">\n\t<div class=\"post-thumbnail\">\n\t\t\n\t\t\n\t\t<a href=\"https:\/\/2023.janacek-brno.cz\/en\/26-11-2022leos-janacek-z-mrtveho-domu-glagolska-mse\/\" class=\"post-thumbnail-rollover layzr-bg\" ><img class=\"preload-me owl-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20768%20512&#39;%2F%3E\" data-src=\"https:\/\/2023.janacek-brno.cz\/wp-content\/uploads\/2020\/11\/52441499166-8bc3d15665-k-768x512.jpg\" data-srcset=\"https:\/\/2023.janacek-brno.cz\/wp-content\/uploads\/2020\/11\/52441499166-8bc3d15665-k-768x512.jpg 768w, https:\/\/2023.janacek-brno.cz\/wp-content\/uploads\/2020\/11\/52441499166-8bc3d15665-k-1152x768.jpg 1152w\" loading=\"eager\" style=\"--ratio: 768 \/ 512\" sizes=\"(max-width: 768px) 100vw, 768px\" alt=\"\"  width=\"768\" height=\"512\"  \/><\/a>\t<\/div>\n<\/div>\n\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/2023.janacek-brno.cz\/en\/26-11-2022leos-janacek-z-mrtveho-domu-glagolska-mse\/\" title=\"26.&nbsp;11.&nbsp;2022 Leo\u0161 Jan\u00e1\u010dek &#8211; Glagolitic Mass \/ From the House of the Dead\" rel=\"bookmark\"><strong>26.&nbsp;11.&nbsp;2022<\/strong><br> Leo\u0161 Jan\u00e1\u010dek &#8211; Glagolitic Mass \/ From the House of the Dead<\/a>\n\t<\/h3>\n\n\t\n\t\n\t\n<a href=\"https:\/\/2023.janacek-brno.cz\/en\/26-11-2022leos-janacek-z-mrtveho-domu-glagolska-mse\/\" class=\"post-details details-type-link\" aria-label=\"Read more about &lt;strong&gt;26.&nbsp;11.&nbsp;2022&lt;\/strong&gt;&lt;br&gt; Leo\u0161 Jan\u00e1\u010dek &#8211; Glagolitic Mass \/ From the House of the Dead\">Show more<i class=\"dt-icon-the7-arrow-03\" aria-hidden=\"true\"><\/i><\/a>\n\n<\/div><\/article><article class=\"post post-4245 type-post status-publish format-standard has-post-thumbnail hentry category-opera category-probehle-en category-vyber-en category-57 category-92 category-64 description-off\" data-name=\"&lt;strong&gt;20.&nbsp;11.&nbsp;2022&lt;\/strong&gt; (+ lecturer\u2019s introduction)&lt;br&gt; Ervin Schulhoff &#8211; Flames\" data-date=\"2020-11-20T09:30:58+01:00\">\n\n<div class=\"post-thumbnail-wrap\">\n\t<div class=\"post-thumbnail\">\n\t\t\n\t\t\n\t\t<a href=\"https:\/\/2023.janacek-brno.cz\/en\/20-11-2022-plameny\/\" class=\"post-thumbnail-rollover layzr-bg\" ><img class=\"preload-me owl-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20768%20512&#39;%2F%3E\" data-src=\"https:\/\/2023.janacek-brno.cz\/wp-content\/uploads\/2021\/11\/Jiri-Rozen2-768x512.jpeg\" data-srcset=\"https:\/\/2023.janacek-brno.cz\/wp-content\/uploads\/2021\/11\/Jiri-Rozen2-768x512.jpeg 768w, https:\/\/2023.janacek-brno.cz\/wp-content\/uploads\/2021\/11\/Jiri-Rozen2-1152x768.jpeg 1152w\" loading=\"eager\" style=\"--ratio: 768 \/ 512\" sizes=\"(max-width: 768px) 100vw, 768px\" alt=\"\" title=\"Jiri Rozen2\" width=\"768\" height=\"512\"  \/><\/a>\t<\/div>\n<\/div>\n\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/2023.janacek-brno.cz\/en\/20-11-2022-plameny\/\" title=\"20.&nbsp;11.&nbsp;2022 (+ lecturer\u2019s introduction) Ervin Schulhoff &#8211; Flames\" rel=\"bookmark\"><strong>20.&nbsp;11.&nbsp;2022<\/strong> (+ lecturer\u2019s introduction)<br> Ervin Schulhoff &#8211; Flames<\/a>\n\t<\/h3>\n\n\t\n\t\n\t\n<a href=\"https:\/\/2023.janacek-brno.cz\/en\/20-11-2022-plameny\/\" class=\"post-details details-type-link\" aria-label=\"Read more about &lt;strong&gt;20.&nbsp;11.&nbsp;2022&lt;\/strong&gt; (+ lecturer\u2019s introduction)&lt;br&gt; Ervin Schulhoff &#8211; Flames\">Show more<i class=\"dt-icon-the7-arrow-03\" aria-hidden=\"true\"><\/i><\/a>\n\n<\/div><\/article><article class=\"post post-4235 type-post status-publish format-standard has-post-thumbnail hentry category-opera category-probehle-en category-vyber-en category-57 category-92 category-64 description-off\" data-name=\"&lt;strong&gt;18.&nbsp;11.&nbsp;2022&lt;\/strong&gt; (+ lecturer&#8217;s&nbsp;introduction)&lt;br&gt;Leo\u0161 Jan\u00e1\u010dek \u2013 The Makropulos Case, Welsh National Opera\" data-date=\"2020-11-18T23:30:12+01:00\">\n\n<div class=\"post-thumbnail-wrap\">\n\t<div class=\"post-thumbnail\">\n\t\t\n\t\t\n\t\t<a href=\"https:\/\/2023.janacek-brno.cz\/en\/18-11-2022-vec-makropulos\/\" class=\"post-thumbnail-rollover layzr-bg\" ><img class=\"preload-me owl-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20768%20512&#39;%2F%3E\" data-src=\"https:\/\/2023.janacek-brno.cz\/wp-content\/uploads\/2020\/11\/52373814184-1169020407-o-768x512.jpg\" data-srcset=\"https:\/\/2023.janacek-brno.cz\/wp-content\/uploads\/2020\/11\/52373814184-1169020407-o-768x512.jpg 768w, https:\/\/2023.janacek-brno.cz\/wp-content\/uploads\/2020\/11\/52373814184-1169020407-o-1152x768.jpg 1152w\" loading=\"eager\" style=\"--ratio: 768 \/ 512\" sizes=\"(max-width: 768px) 100vw, 768px\" alt=\"\" title=\"52373814184-1169020407-o\" width=\"768\" height=\"512\"  \/><\/a>\t<\/div>\n<\/div>\n\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/2023.janacek-brno.cz\/en\/18-11-2022-vec-makropulos\/\" title=\"18.&nbsp;11.&nbsp;2022 (+ lecturer&#8217;s&nbsp;introduction)Leo\u0161 Jan\u00e1\u010dek \u2013 The Makropulos Case, Welsh National Opera\" rel=\"bookmark\"><strong>18.&nbsp;11.&nbsp;2022<\/strong> (+ lecturer&#8217;s&nbsp;introduction)<br>Leo\u0161 Jan\u00e1\u010dek \u2013 The Makropulos Case, Welsh National Opera<\/a>\n\t<\/h3>\n\n\t\n\t\n\t\n<a href=\"https:\/\/2023.janacek-brno.cz\/en\/18-11-2022-vec-makropulos\/\" class=\"post-details details-type-link\" aria-label=\"Read more about &lt;strong&gt;18.&nbsp;11.&nbsp;2022&lt;\/strong&gt; (+ lecturer&#8217;s&nbsp;introduction)&lt;br&gt;Leo\u0161 Jan\u00e1\u010dek \u2013 The Makropulos Case, Welsh National Opera\">Show more<i class=\"dt-icon-the7-arrow-03\" aria-hidden=\"true\"><\/i><\/a>\n\n<\/div><\/article><article class=\"post post-4219 type-post status-publish format-standard has-post-thumbnail hentry category-opera category-probehle-en category-57 category-92 description-off\" data-name=\"&lt;strong&gt;13.&nbsp;11.&nbsp;2022&lt;\/strong&gt; (+ lecturer&#8217;s&nbsp;introduction)&lt;br&gt;Leo\u0161 Jan\u00e1\u010dek \u2013 Katya Kabanova, Grand Th\u00e9\u00e2tre de Gen\u00e8ve\" data-date=\"2020-11-13T01:00:41+01:00\">\n\n<div class=\"post-thumbnail-wrap\">\n\t<div class=\"post-thumbnail\">\n\t\t\n\t\t\n\t\t<a href=\"https:\/\/2023.janacek-brno.cz\/en\/13-11-2022-kata-kabanova\/\" class=\"post-thumbnail-rollover layzr-bg\" ><img class=\"preload-me owl-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20768%20512&#39;%2F%3E\" data-src=\"https:\/\/2023.janacek-brno.cz\/wp-content\/uploads\/2021\/10\/90-tomas-netopil005-2-768x512.jpg\" data-srcset=\"https:\/\/2023.janacek-brno.cz\/wp-content\/uploads\/2021\/10\/90-tomas-netopil005-2-768x512.jpg 768w, https:\/\/2023.janacek-brno.cz\/wp-content\/uploads\/2021\/10\/90-tomas-netopil005-2-1152x768.jpg 1152w\" loading=\"eager\" style=\"--ratio: 768 \/ 512\" sizes=\"(max-width: 768px) 100vw, 768px\" alt=\"\" title=\"90-tomas-netopil005-2\" width=\"768\" height=\"512\"  \/><\/a>\t<\/div>\n<\/div>\n\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/2023.janacek-brno.cz\/en\/13-11-2022-kata-kabanova\/\" title=\"13.&nbsp;11.&nbsp;2022 (+ lecturer&#8217;s&nbsp;introduction)Leo\u0161 Jan\u00e1\u010dek \u2013 Katya Kabanova, Grand Th\u00e9\u00e2tre de Gen\u00e8ve\" rel=\"bookmark\"><strong>13.&nbsp;11.&nbsp;2022<\/strong> (+ lecturer&#8217;s&nbsp;introduction)<br>Leo\u0161 Jan\u00e1\u010dek \u2013 Katya Kabanova, Grand Th\u00e9\u00e2tre de Gen\u00e8ve<\/a>\n\t<\/h3>\n\n\t\n\t\n\t\n<a href=\"https:\/\/2023.janacek-brno.cz\/en\/13-11-2022-kata-kabanova\/\" class=\"post-details details-type-link\" aria-label=\"Read more about &lt;strong&gt;13.&nbsp;11.&nbsp;2022&lt;\/strong&gt; (+ lecturer&#8217;s&nbsp;introduction)&lt;br&gt;Leo\u0161 Jan\u00e1\u010dek \u2013 Katya Kabanova, Grand Th\u00e9\u00e2tre de Gen\u00e8ve\">Show more<i class=\"dt-icon-the7-arrow-03\" aria-hidden=\"true\"><\/i><\/a>\n\n<\/div><\/article><article class=\"post post-4207 type-post status-publish format-standard has-post-thumbnail hentry category-opera category-probehle-en category-57 category-92 description-off\" data-name=\"&lt;strong&gt;9.&nbsp;11.&nbsp;2022&lt;\/strong&gt; (+ lecturer&#8217;s&nbsp;introduction)&lt;br&gt;Leo\u0161 Jan\u00e1\u010dek \u2013 Katya Kabanova\" data-date=\"2020-11-09T03:00:50+01:00\">\n\n<div class=\"post-thumbnail-wrap\">\n\t<div class=\"post-thumbnail\">\n\t\t\n\t\t\n\t\t<a href=\"https:\/\/2023.janacek-brno.cz\/en\/9-11-2022-kata-kabanova\/\" class=\"post-thumbnail-rollover layzr-bg\" ><img class=\"preload-me owl-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20638%20425&#39;%2F%3E\" data-src=\"https:\/\/2023.janacek-brno.cz\/wp-content\/uploads\/2020\/11\/xl-avatar-638x425.jpeg\" data-srcset=\"https:\/\/2023.janacek-brno.cz\/wp-content\/uploads\/2020\/11\/xl-avatar-638x425.jpeg 638w\" loading=\"eager\" style=\"--ratio: 638 \/ 425\" sizes=\"(max-width: 638px) 100vw, 638px\" alt=\"\" title=\"xl-avatar\" width=\"638\" height=\"425\"  \/><\/a>\t<\/div>\n<\/div>\n\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/2023.janacek-brno.cz\/en\/9-11-2022-kata-kabanova\/\" title=\"9.&nbsp;11.&nbsp;2022 (+ lecturer&#8217;s&nbsp;introduction)Leo\u0161 Jan\u00e1\u010dek \u2013 Katya Kabanova\" rel=\"bookmark\"><strong>9.&nbsp;11.&nbsp;2022<\/strong> (+ lecturer&#8217;s&nbsp;introduction)<br>Leo\u0161 Jan\u00e1\u010dek \u2013 Katya Kabanova<\/a>\n\t<\/h3>\n\n\t\n\t\n\t\n<a href=\"https:\/\/2023.janacek-brno.cz\/en\/9-11-2022-kata-kabanova\/\" class=\"post-details details-type-link\" aria-label=\"Read more about &lt;strong&gt;9.&nbsp;11.&nbsp;2022&lt;\/strong&gt; (+ lecturer&#8217;s&nbsp;introduction)&lt;br&gt;Leo\u0161 Jan\u00e1\u010dek \u2013 Katya Kabanova\">Show more<i class=\"dt-icon-the7-arrow-03\" aria-hidden=\"true\"><\/i><\/a>\n\n<\/div><\/article><article class=\"post post-4203 type-post status-publish format-standard has-post-thumbnail hentry category-opera category-probehle-en category-57 category-92 description-off\" data-name=\"&lt;strong&gt;6.&nbsp;11.&nbsp;2022&lt;\/strong&gt; (+ lecturer&#8217;s&nbsp;introduction)&lt;br&gt; Leo\u0161 Jan\u00e1\u010dek &#8211; Glagolitic Mass \/ From the House of the Dead\" data-date=\"2020-11-06T16:09:17+01:00\">\n\n<div class=\"post-thumbnail-wrap\">\n\t<div class=\"post-thumbnail\">\n\t\t\n\t\t\n\t\t<a href=\"https:\/\/2023.janacek-brno.cz\/en\/6-11-2022leos-janacek-z-mrtveho-domu-glagolska-mse\/\" class=\"post-thumbnail-rollover layzr-bg\" ><img class=\"preload-me owl-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20660%20440&#39;%2F%3E\" data-src=\"https:\/\/2023.janacek-brno.cz\/wp-content\/uploads\/2021\/11\/Jakub-Hru\u030as\u030ca-zdroj-imgartists.com-660x444-1-660x440.jpg\" data-srcset=\"https:\/\/2023.janacek-brno.cz\/wp-content\/uploads\/2021\/11\/Jakub-Hru\u030as\u030ca-zdroj-imgartists.com-660x444-1-660x440.jpg 660w\" loading=\"eager\" style=\"--ratio: 660 \/ 440\" sizes=\"(max-width: 660px) 100vw, 660px\" alt=\"\" title=\"Jakub-Hru\u030as\u030ca-zdroj-imgartists.com&#8211;660&#215;444\" width=\"660\" height=\"440\"  \/><\/a>\t<\/div>\n<\/div>\n\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/2023.janacek-brno.cz\/en\/6-11-2022leos-janacek-z-mrtveho-domu-glagolska-mse\/\" title=\"6.&nbsp;11.&nbsp;2022 (+ lecturer&#8217;s&nbsp;introduction) Leo\u0161 Jan\u00e1\u010dek &#8211; Glagolitic Mass \/ From the House of the Dead\" rel=\"bookmark\"><strong>6.&nbsp;11.&nbsp;2022<\/strong> (+ lecturer&#8217;s&nbsp;introduction)<br> Leo\u0161 Jan\u00e1\u010dek &#8211; Glagolitic Mass \/ From the House of the Dead<\/a>\n\t<\/h3>\n\n\t\n\t\n\t\n<a href=\"https:\/\/2023.janacek-brno.cz\/en\/6-11-2022leos-janacek-z-mrtveho-domu-glagolska-mse\/\" class=\"post-details details-type-link\" aria-label=\"Read more about &lt;strong&gt;6.&nbsp;11.&nbsp;2022&lt;\/strong&gt; (+ lecturer&#8217;s&nbsp;introduction)&lt;br&gt; Leo\u0161 Jan\u00e1\u010dek &#8211; Glagolitic Mass \/ From the House of the Dead\">Show more<i class=\"dt-icon-the7-arrow-03\" aria-hidden=\"true\"><\/i><\/a>\n\n<\/div><\/article><article class=\"post post-4201 type-post status-publish format-standard has-post-thumbnail hentry category-opera category-probehle-en category-57 category-92 description-off\" data-name=\"&lt;strong&gt;3.&nbsp;11.&nbsp;2022&lt;\/strong&gt; (+ lecturer&#8217;s&nbsp;introduction)&lt;br&gt; Leo\u0161 Jan\u00e1\u010dek &#8211; Glagolitic Mass \/ From the House of the Dead\" data-date=\"2020-11-03T16:07:30+01:00\">\n\n<div class=\"post-thumbnail-wrap\">\n\t<div class=\"post-thumbnail\">\n\t\t\n\t\t\n\t\t<a href=\"https:\/\/2023.janacek-brno.cz\/en\/3-11-2022leos-janacek-z-mrtveho-domu-glagolska-mse-premiera\/\" class=\"post-thumbnail-rollover layzr-bg\" ><img class=\"preload-me owl-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20768%20512&#39;%2F%3E\" data-src=\"https:\/\/2023.janacek-brno.cz\/wp-content\/uploads\/2020\/11\/merlin-164828157-2966d166-84a1-4a62-877c-526112515ca0-mobileMasterAt3x-768x512.jpeg\" data-srcset=\"https:\/\/2023.janacek-brno.cz\/wp-content\/uploads\/2020\/11\/merlin-164828157-2966d166-84a1-4a62-877c-526112515ca0-mobileMasterAt3x-768x512.jpeg 768w, https:\/\/2023.janacek-brno.cz\/wp-content\/uploads\/2020\/11\/merlin-164828157-2966d166-84a1-4a62-877c-526112515ca0-mobileMasterAt3x-1152x768.jpeg 1152w\" loading=\"eager\" style=\"--ratio: 768 \/ 512\" sizes=\"(max-width: 768px) 100vw, 768px\" alt=\"\" title=\"merlin-164828157-2966d166-84a1-4a62-877c-526112515ca0-mobileMasterAt3x\" width=\"768\" height=\"512\"  \/><\/a>\t<\/div>\n<\/div>\n\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/2023.janacek-brno.cz\/en\/3-11-2022leos-janacek-z-mrtveho-domu-glagolska-mse-premiera\/\" title=\"3.&nbsp;11.&nbsp;2022 (+ lecturer&#8217;s&nbsp;introduction) Leo\u0161 Jan\u00e1\u010dek &#8211; Glagolitic Mass \/ From the House of the Dead\" rel=\"bookmark\"><strong>3.&nbsp;11.&nbsp;2022<\/strong> (+ lecturer&#8217;s&nbsp;introduction)<br> Leo\u0161 Jan\u00e1\u010dek &#8211; Glagolitic Mass \/ From the House of the Dead<\/a>\n\t<\/h3>\n\n\t\n\t\n\t\n<a href=\"https:\/\/2023.janacek-brno.cz\/en\/3-11-2022leos-janacek-z-mrtveho-domu-glagolska-mse-premiera\/\" class=\"post-details details-type-link\" aria-label=\"Read more about &lt;strong&gt;3.&nbsp;11.&nbsp;2022&lt;\/strong&gt; (+ lecturer&#8217;s&nbsp;introduction)&lt;br&gt; Leo\u0161 Jan\u00e1\u010dek &#8211; Glagolitic Mass \/ From the House of the Dead\">Show more<i class=\"dt-icon-the7-arrow-03\" aria-hidden=\"true\"><\/i><\/a>\n\n<\/div><\/article><article class=\"post post-4187 type-post status-publish format-standard has-post-thumbnail hentry category-opera category-probehle-en category-57 category-92 description-off\" data-name=\"&lt;strong&gt;2.&nbsp;11.&nbsp;2022&lt;\/strong&gt;&lt;br&gt; Leo\u0161 Jan\u00e1\u010dek &#8211; Glagolitic Mass \/ From the House of the Dead (premiere)\" data-date=\"2020-11-02T06:00:37+01:00\">\n\n<div class=\"post-thumbnail-wrap\">\n\t<div class=\"post-thumbnail\">\n\t\t\n\t\t\n\t\t<a href=\"https:\/\/2023.janacek-brno.cz\/en\/2-11-2021-z-mrtveho-domu\/\" class=\"post-thumbnail-rollover layzr-bg\" ><img class=\"preload-me owl-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20768%20512&#39;%2F%3E\" data-src=\"https:\/\/2023.janacek-brno.cz\/wp-content\/uploads\/2021\/10\/49d6e409b42393f8bfc004b0b3a3d5ea-768x512.jpeg\" data-srcset=\"https:\/\/2023.janacek-brno.cz\/wp-content\/uploads\/2021\/10\/49d6e409b42393f8bfc004b0b3a3d5ea-768x512.jpeg 768w, https:\/\/2023.janacek-brno.cz\/wp-content\/uploads\/2021\/10\/49d6e409b42393f8bfc004b0b3a3d5ea-810x540.jpeg 810w\" loading=\"eager\" style=\"--ratio: 768 \/ 512\" sizes=\"(max-width: 768px) 100vw, 768px\" alt=\"\" title=\"49d6e409b42393f8bfc004b0b3a3d5ea\" width=\"768\" height=\"512\"  \/><\/a>\t<\/div>\n<\/div>\n\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/2023.janacek-brno.cz\/en\/2-11-2021-z-mrtveho-domu\/\" title=\"2.&nbsp;11.&nbsp;2022 Leo\u0161 Jan\u00e1\u010dek &#8211; Glagolitic Mass \/ From the House of the Dead (premiere)\" rel=\"bookmark\"><strong>2.&nbsp;11.&nbsp;2022<\/strong><br> Leo\u0161 Jan\u00e1\u010dek &#8211; Glagolitic Mass \/ From the House of the Dead (premiere)<\/a>\n\t<\/h3>\n\n\t\n\t\n\t\n<a href=\"https:\/\/2023.janacek-brno.cz\/en\/2-11-2021-z-mrtveho-domu\/\" class=\"post-details details-type-link\" aria-label=\"Read more about &lt;strong&gt;2.&nbsp;11.&nbsp;2022&lt;\/strong&gt;&lt;br&gt; Leo\u0161 Jan\u00e1\u010dek &#8211; Glagolitic Mass \/ From the House of the Dead (premiere)\">Show more<i class=\"dt-icon-the7-arrow-03\" aria-hidden=\"true\"><\/i><\/a>\n\n<\/div><\/article><\/div>[vc_empty_space][vc_column_text]<strong>25\u00a0% DISCOUNT<\/strong> WITH THE PURCHASE OF 3 OR MORE PERFORMANCES, <strong>30\u00a0% DISCOUNT<\/strong> WITH THE PURCHASE OF 5 OR MORE PERFORMANCES.[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[vc_row gap=&#8221;35&#8243; type=&#8221;vc_default&#8221;][vc_column width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;3793&#8243; img_size=&#8221;full&#8221; onclick=&#8221;zoom&#8221; css_animation=&#8221;zoomIn&#8221;][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_column_text] 9.&nbsp;11.&nbsp;2022, 7 p.m. [\/vc_column_text][vc_column_text]Jan\u00e1\u010dek Theatre, National theatre Brno (NdB) Author: Leo\u0161 Jan\u00e1\u010dek Conductor: Jaroslav Kyzlink Director: Calixto Bieito Ensemble: National Theatre Opera and State Opera The National Theatre Chorus and Orchestra The performance lasts 100 minutes and there is no intermission. Lecturer&#8217;s&nbsp;introduction: 18:15, foyer of Jan\u00e1\u010dek&hellip;<\/p>\n","protected":false},"author":3,"featured_media":3793,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_expiration-date-status":"saved","_expiration-date":1668031200,"_expiration-date-type":"category","_expiration-date-categories":[50,89,61],"_expiration-date-options":{"expireType":"category","category":[50,89,61],"categoryTaxonomy":null,"enabled":true,"id":4207}},"categories":[57,92],"tags":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>9. 11. 2022 (+ lecturer&#039;s introduction)Leo\u0161 Jan\u00e1\u010dek \u2013 Katya Kabanova - Jan\u00e1\u010dek Brno 2023<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"9. 11. 2022 (+ lecturer&#039;s introduction)Leo\u0161 Jan\u00e1\u010dek \u2013 Katya Kabanova - Jan\u00e1\u010dek Brno 2023\" \/>\n<meta property=\"og:description\" content=\"[vc_row gap=&#8221;35&#8243; type=&#8221;vc_default&#8221;][vc_column width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;3793&#8243; img_size=&#8221;full&#8221; onclick=&#8221;zoom&#8221; css_animation=&#8221;zoomIn&#8221;][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_column_text] 9.&nbsp;11.&nbsp;2022, 7 p.m. [\/vc_column_text][vc_column_text]Jan\u00e1\u010dek Theatre, National theatre Brno (NdB) Author: Leo\u0161 Jan\u00e1\u010dek Conductor: Jaroslav Kyzlink Director: Calixto Bieito Ensemble: National Theatre Opera and State Opera The National Theatre Chorus and Orchestra The performance lasts 100 minutes and there is no intermission. 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